Gabrielle Burton

Gabrielle Burton

filmmaker / writer

“I love the puzzle-pieces in editing a film; it's like a huge game of storytelling Tetris.”

Artist Bio

Gabrielle Burton is a writer and filmmaker who lives in Delaware, Ohio. With a passion for strong human-focused storytelling and social engagement, she has won the Ohio Art Council's Individual Excellence Award in both filmmaking and in poetry. Burton directed the award-winning documentary on gender, Kings, Queens, & In-Betweens (about the thriving drag scene in central Ohio), which has been used as an education tool in universities, medical training conferences and community organizations across the US. Her creative style weaves complex stories and voices together, quietly revealing truths about human nature and social change. Burton helms the production company Five Sisters Productions with her five real-life sisters, making films ranging from comedies to shorts, focused on incorporating engagement, creative participation and underrepresented voices. Films and commercial work include: Old Guy (IGTV), Manna From Heaven (MGM/Sony/Starz), The Happiest Day of His Life (MTV/LOGO), Letting Go of God (Showtime), Temps (Netflix), Just Friends (AMC/We Channel), and Sage & Time (ESAV). After Harvard/Radcliffe, Burton won a scholarship to ESAV film school in France. An accomplished writer, Burton was a finalist for best essay of the year and best poem from the Hawaii Review, won CGR’s prize for best poem, the Thomas A. Wilhelmus award for best essay, and has been published also in Prairie Schooner, the New Delta Review, The Los Angeles review, The Burden of Light poetry anthology and Connecticut River Review. Burton was a 2022 finalist for a Greater Columbus Arts Council Artist Elevated award and has been the recipient of several GCAC artist grants.

Artist Gallery

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Gabrielle Burton

Artist Q & A

How do you describe your art and your creative process?

As a filmmaker, I am both collaborative and self-starting, driven by the desire to use art to engage audiences to think, laugh, and connect. As I've developed as an artist, I've moved increasingly into intertwining my film work with community engagement, with conversations alongside film screening events, or using the work to support other organizations. My four sisters and I helm the production company Five Sisters Productions, and we learned early on that we are all a human family that is stronger when supporting each other; our company mission statement is that we make films and commercials that entertain and also contribute to a sense of hope on a personal or social level. We’re committed to making high quality films (documentaries, features, and shorts) that are intertwined with community involvement and social engagement, with a focus on increasing the diversity of voices both in crew and being represented onscreen. I am also a writer (poetry and non-fiction) and interested in themes of domesticity and women’s experience.

What do you love about your art and/or art-making process?

I love the puzzle-pieces in editing a film; it's like a huge game of storytelling Tetris. I like stepping back and watching my work in the process as a viewer might—finding bits that can be refined, improved, or clarified. I love working with talented crewmates who bring to the table their own skills that enhance mine. Writing is also like film editing, both in that most of the work is done in editing, and that it's about reducing, refining and streamlining the work to its most elegant form. When it works best, the bones of the work become invisible, and the story's core rises out to the audience—that is so exciting. I particularly love when the work is shared and moves people—the conversation with the audience is deeply fulfilling (and the reason, really, to make art in the first place).

How do you recharge and/or refine your artistic process?

The best recharging comes from spending time in nature, having time to reflect, reading poetry and going to see art. At the risk of sounding nerdy, I do love editing films, and when I can dive fully into it, my brain lights up with creative juices that continue to refine my process. Getting inspiration from other artists also recharges me. I love the Columbus ballet, seeing art in museums, as well as our local performers who do theater, drag, and music. I also watch a lot of French films, because it stimulates my brain (I’m bilingual) while also being just fun and relaxing. And sometimes I sleep, because film workdays are long.

Does the Columbus arts scene impact your art making? If so, how?

There is literally more space here—in sky, in land— and that makes open mental space too. I used to plan to move to LA, but I wouldn't want to move there anymore, because of its cramped density of buildings, people and the traffic. I appreciate how much art happens here, and the possibilities for collaboration, for getting support, for having more face-to-face engagement with people here, which makes it a beautiful place to make a life. And it's far more affordable too, allowing me more time to make my art. I deeply love the supportive kindness of Columbus artists; we're generally all rooting for each other, because it’s not an easy thing to be an artist, and I think there's a respect for the craft and the process here that is honest and real.

What advice do you give to emerging artists in your field?

There are so many hurdles to stop artists—money, gender, power, space—but just keep going. Make your own doors to open.

Events